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'[...] Aufsátze [...]; in denen zahlreiche interessante Details und neue Perspektiven angetroffen werden können; die zu einem komplexen und immer auch faszinierenden Bild der frühen Neuzeit beitragen.'Michael Neumann in: Zeitschrift für Germanistik 2/2007 Synopsis This volume presents a collection of original papers at the intersection of philosophy; the history of science; cultural and theatrical studies. Based on a series of case studies on the 17th century; it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening up of new fields of knowledge; to the development of new cultural practices; but also to the delineation of particular genres; methods and disciplines. This perspective leads the authors of the papers to reflect anew on what it is that actually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate? - which actions does the instrument make possible? - when do the objects of examination themselves become instruments? - what skills are required to use an instrument; which skills does it produce? With its combination of new theoretical models and historical case studies; its detailed demonstration of the mutual influence of art and science at the instrument as the point of intersection; this volume enters new territory. It is of great value for all those interested in the pre-history of our instrument-led perception. Alle Produktbeschreibungen
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